Why Does the LA Times Hate ‘Modern Family’?

December 13, 2009 by · Leave a Comment
Filed under: Modern Family News 

Modern Family” is one of the most acclaimed half-hour comedies to debut on a broadcast network in quite some time. Plus, actual viewers are watching it, judging by the very solid ratings.

The love for “MF” doesn’t extend to the grumpy folks at the LA Times Calendar section. The grinches at the paper apparently got annoyed at the virtually universal love for the show and decided to knock it down a few pegs in Sunday’s paper.

The Times included “MF” in the “Overrated” section of its weekly “Underrated/Overrated” column, suggesting the Steve Levitan/Christopher Lloyd series just isn’t as good as the classic comedies of the past.

Because, really, if you’re not as good as “All in the Family” or “Seinfeld,” really, why even bother?

Here’s what the paper said, in full:

Having been raised on classic sitcoms, we’re always curious when a show earns talk for upholding the tradition. But this ABC newcomer still needs improvement. As much as we love seeing Ed O’Neill at his cranky best as the show’s patriarch, many jokes for his young Latin spouse and his daughter’s clueless husband feel tired. And can we give the faux-documentary style a rest, please?

Read the full story at The Wrap.

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Modern Family ABC – Laugh tracking

November 28, 2009 by · Leave a Comment
Filed under: reviews 

Boston.com has a great review of ABC’s Modern Family, here is part of it:
Maybe it was when 10-year-old Manny put down his newspaper to get another cup of espresso, like a little executive Buddha, or maybe it was when he insisted on wearing his traditional Colombian poncho to grade school, that it came to me: “Modern Family’’ is an instantly lived-in and fleshed-out sitcom. The ABC comedy arrived in September fully formed, filled with the rich inner life that usually only exists on a TV series over time. The characters are already indelible.
And that’s a rare thing, especially for a sitcom. Good half-hour comedies usually take many months to find themselves, to define their individuality (see: “Seinfeld’’). ABC’s “Better Off Ted’’ and NBC’s “Parks and Recreation’’ – both series with promise – are currently following that more familiar route, trying to discover their distinctive mojo while they’re on the air, hoping not to become just more brokedown sitcom chassis by the side of the road.

Each a member of the sitcom class of 2009 and each a single-camera show, “Modern Family,’’ “Better Off Ted,’’ and “Parks and Recreation’’ actually stand a chance of joining the likes of “Scrubs’’ and “Extras’’ in the canon. “Better Off Ted,’’ which returns for season 2 on Dec. 8, is a solid setup crying out for tweaks; “Parks and Recreation,’’ now in season 2, has just been nicely tweaked; and “Modern Family’’ is in need of no tweaks whatsoever. It is just right. They represent three marks on the map to sitcom excellence, with “Modern Family’’ already having reached the destination point.

Created by Steven Levitan (“Just Shoot Me’’) and Christopher Lloyd (“Frasier’’), “Modern Family’’ is a rare pleasure. The family dynamic among the large collection of characters feels thoroughly established, as if their histories are genuinely interwoven. Ed O’Neill’s Jay is the father – of Claire, who’s married to Phil and has three kids, and of Mitchell, who’s living with Cameron and has an infant daughter. Jay has a second family, too, with a much-younger wife, Gloria, from Colombia and a stepson, the inimitable Manny. When the three families interact, you can see all the casual intimacy, resentment, stubbornness, and forgiveness of an extended family in play.

Within the group chemistry, each character is finely etched. Among the most vivid are Cameron (Eric Stonestreet), a queeny gay man who once played football, and Gloria (Sofia Vergara), who unwittingly torments her husband with stories of her early sex life. And, of course, there’s Manny (Rico Rodriguez), the little guy who swoons over older girls and fences like a royal prince. These characters are already beautifully established, and yet you can detect the actors’ pleasure as they discover more and more about their roles with each episode.

Read the rest of the review at Boston.com

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